Landscapes by Chris Thomas
Recently Chris’ interest in landscape painting has been rekindled. For many years he’s been a keen walker and trekker and has made many treks in the Nepal Himalaya and also walks along Britain’s long distance foot paths.
He’s always taken photographs of the views from the trails but recently he’s been using drawing books to record his experiences.
He’s always taken photographs of the views from the trails but recently he’s been using drawing books to record his experiences.
Himalayan Landscapes
The Himalayan images are made from a combination of sources; drawings made in situ, his own photographs and perhaps most importantly memory.
1. The Annapurna Himal from Gandruk.
( Annapurna District,Nepal )
2. Ama Dablam and Chorten. ( Khumbu District,Nepal )
3. Imjatse and Dingboche. ( Khumbu District,Nepal )
4. Machapuchare from Pothana. ( Annapurna District,Nepal )
The paintings are gouache on A3 paper. £250 each.
1. The Annapurna Himal from Gandruk.
( Annapurna District,Nepal )
2. Ama Dablam and Chorten. ( Khumbu District,Nepal )
3. Imjatse and Dingboche. ( Khumbu District,Nepal )
4. Machapuchare from Pothana. ( Annapurna District,Nepal )
The paintings are gouache on A3 paper. £250 each.
British Neolithic Sites
The images of British Neolithic sites were conceived as something of an elegy to the work of William Stukely and John Aubrey. Two antiquarians who were the first to comment seriously on and record such sites as Avebury and Stonehenge.
1. Avebury Stone Circle. No.1. ( Wiltshire )
2. Avebury Stone Circle. No.2. ( Wiltshire )
3. Avebury Avenue. ( Wiltshire )
4. Whispering Knights. ( Oxfordshire )
The paintings are gouache on A3 paper. £250 each.
2. Avebury Stone Circle. No.2. ( Wiltshire )
3. Avebury Avenue. ( Wiltshire )
4. Whispering Knights. ( Oxfordshire )
The paintings are gouache on A3 paper. £250 each.
Urban Landscapes
The last theme in the landscape series is of a more urban nature and the drawings were made from direct observation. The subject being George Green, Wanstead which has proven an excellent location to investigate a sense of non linear perspective.
1. George Green E11. (No.1. )
2. George Green E11. ( No.2.)
3. George Green E11. (No.3. )
The drawings are ink, charcoal and crayon on approximately A2 size paper. £250 each.
1. George Green E11. (No.1. )
2. George Green E11. ( No.2.)
3. George Green E11. (No.3. )
The drawings are ink, charcoal and crayon on approximately A2 size paper. £250 each.
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